Randy Edelman’s Ghostbusters II Film Score Pink Slime Vinyl Edition Released Via Sony Masterworks
Composer Randy Edelman along with Sony Master Works proudly celebrates the release of the lusciously, gooey, bright pink slime vinyl edition package of Ghostbusters ll, the original motion picture score. All music written and composed by Randy Edelman which includes some never before liberated tracks. The iconic film score was launched earlier this year for streaming, but the soon to be collectible vinyl was unveiled November 5, 2021.
The slime Vishal edition will also come with pictures from the movie and the vinyl record itself will be brimming with pink slime.
Of the score, composer RANDY EDELMAN says, “In Ghostbusters II, the characters and storyline were expertly conceived and then acted in the sequel brilliantly. The story took place a few years later, but in a sense each character already had a distinct personality, which hadn’t changed a bit. In a way, they carried their own music and soul with them. Depending on their interaction in each scene would determine if musical accompaniment was necessary, and, in most cases, it was not. The new storyline and menace the city of New York was facing, the dark nature of the evil Carpathian, that was where this score would be most urgent. That and the supernatural, explosive and inventive methods of the group of our forward-thinking pals, was where the heart of my score would and should lie. Though I had watched and thoroughly loved the original film several years before, I decided not to view it during my involvement with the sequel. I knew I needed to carefully sculpt a musical palette for this new specific screenplay and did not reference any aspect of the original movie, trying to give Ghostbusters II a well-deserved, new color all its own. I will always appreciate the fact that this decision of mine was never once questioned.”
Speaking of his collaborators to the project, Randy continues, “Upon looking back at any score after so many years, a composer is surely cognizant of those who they were surrounded by, in a process that is always so challenging in many ways. In the case of the sequel to Ghostbusters, I was working on one of my first large scale orchestral works and one that followed the great success of the first movie. I was assisted by the great orchestrator, Mr. Greig McRitchie, music editor Kathy Durning, and engineers Elton Ahi and Robert Fernandez. I have elsewhere here thanked [Director] Ivan Reitman for a stern, yet assuring hand, in his direction at all times, and his confidence in trusting me totally throughout the always delicate process. The large orchestra gave me a spiritual high at each session, and I thank all the wonderful players who participated and lent their talent to my efforts. I got to revisit a few thematic moments for this collection, and it was a blast to be able to do that. It brought back all those incredible memories, and made that magic happen right now, once more. How lucky to experience it over again – I am one fortunate piano player!”
GHOSTBUSTERS II (ORIGINAL MOTION PICTURE SCORE)
TRACKLISTING –
A Few Friends Save Manhattan
A Baby Carriage Meets Heavy Traffic
Venkman’s 6th Ave. Strut
Order in the Court
He’s Got Carpathian Eyes
The Sensitive Side of Dana
In Liberty’s Shadow
Rooftop Broom Kidnap
The Scoleri Brothers
Oscar is Quietly Surrounded
A Slime Darkened Doorway
One Leaky Sewer Faucet
Vigo’s Last Stand
Good With Kids
Enlightenment
Family Portrait-Finale
ABOUT RANDY EDELMAN
Music royalty with a career challenging the longevity that rivals the Queen of England, composer, conductor, singer and celebrated piano phenomena Randy Edelman has long been given tribute as one of the most profound and recognizable film, television, and sports soundtrack architect on the planet. A hybrid fusion of Mozart and Bruce Springsteen, there seems to be a certain bedazzlement or wizardry connected to him and his music that leaves a trail of glitter behind never to be forgotten.
Raised in Teaneck New Jersey, Randy was born with the ability to hear music and transcribe it onto the piano. After a brief quarrel with fate where Randy was temporally thrust into the pursuit of pre-med, he moved into full-time piano and composition study at the Cincinnati Music Conservatory where he was then able to follow his unquestionable destiny. He eventually procured an arranging assignment at James Brown’s King Records. In 1970 Randy relocated to New York to work as a staff writer at CBS Records while simultaneously playing piano in Broadway pit orchestras.
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