TROJAN RECORDS TO RELEASE NEW COLLECTION FROM THE LEGENDARY LEE “SCRATCH” PERRY
Trojan Records is set for the release of the new compilation album King Scratch (Musical Masterpieces from the Upsetter Ark-ive) on September 2. The album, out on double CD, double vinyl and a deluxe box set, is comprised of tracks from across the career of the legendary late, great Jamaican record producer and artist Lee “Scratch” Perry. The collection marks the first anniversary of Perry’s passing, showcasing the very best of his work across his own releases and his productions for other artists. Pre-order the album HERE.
In celebration of the upcoming release, Trojan Records is debuting the 7” mix of the single “Jungle Lion” by Lee “Scratch” Perry & The Upsetters; stream/share the track HERE.
As arguably the greatest Jamaican record producer of all time, Lee “Scratch” Perry was instrumental in transforming Jamaica’s national sound throughout the ’60s and ’70s with his unique approach to production, pushing the music beyond previously perceived boundaries. This release not only marks the first anniversary of his passing at the age of 85, but it falls on the weekend of London’s iconic Notting Hill Carnival, the first event since 2019.
The deluxe box set comprises 109 tracks across four vinyl LPs and four CDs, featuring Perry’s best known and most influential recordings alongside a number of rare and unreleased DJ mixes. It includes a previously unreleased mix of Junior Murvin’s powerful “Police And Thieves,” U.K. chart-buster “Hurt So Good” by Susan Cadogan and the Upsetters’ classic “Return Of Django,” as well as numerous major Jamaican hits. The box set also includes a 50-page fully illustrated book, penned by Perry’s official biographer David Katz, and features photos from celebrated photographer Adrian Boot as well as a newly designed two-sided full color 24”x24” poster.
The 2x gatefold LP and 2xCD set collection focuses upon the legendary music-maker’s best-known productions from the ’60s and ’70s, performed by some of the giants of Jamaican music, with both iconic imagery and extensive notes on the man whose talent and imagination took reggae to new heights of excellence.
Lee “Scratch” Perry’s vision and talent has had a significant impact on the musical landscape of today, inspiring many of the world’s greatest musicians including the likes of The Prodigy, The Rolling Stones, The Beastie Boys, The Clash and Diplo who carried his sound forward. This brand new release pays homage to a legend whose astounding legacy will never be forgotten.
About Lee “Scratch” Perry
Jamaican record producer and singer Lee “Scratch” Perry (1936-2021) was noted for his unique approach to music making, which resulted in the creation of an astounding body of work that proved instrumental in shaping not just the sound of Jamaican music, but profoundly influencing, entertaining and inspiring generations the world over. 1963 saw him make his debut with driving ska number “Old For New,” the success of which led to the follow up “Chicken Scratch” which was the track that led to his most enduring nickname, “Scratch.”
After sessions with Karl “JJ” Johnson, WIRL (West Indies Records Ltd.) and Prince Buster, Perry was employed as a sound engineer for Joe Gibbs and created a series of superior rock steady singles including his own “I Am The Upsetter,” which established another of his long-lasting nicknames. It was Perry’s own “People Funny Boy” that became one of the biggest sellers of Jamaican music in 1968, not only ensuring the future of Perry’s label Upsetter Records, but also prompting a deal with Trojan Records in Britain, who in 1969 set up its own Upsetter label to showcase the best of Perry’s productions. After months spent building the British club scene, The Upsetters’ “Return Of Django” backed with “Dollar in the Teeth” broke into the pop charts, peaking at the number five spot.
A variety of performers began to benefit from Perry’s imitable talents, including a vocal trio that became Bob Marley and The Wailers. The ’70’s saw Perry re-affirm his standing as one of Jamaica’s most successful and influential producers and by 1973 he had built his Black Ark Studio which saw him produce some of the most spellbinding music of the decade, with significant hits including Susan Cadogan’s popular cover of “Hurt So Good,” Junior Byles’ hypnotic lament “Curley Locks” and a series of compelling roots anthems, such as “Sufferer’s Time” by The Heptones, Max Romeo’s “Sipple Out Deh” (a.k.a. “War in a Babylon”) and Junior Murvin’s strident “Police and Thief,” a.k.a. “Police and Thieves.”
Over the years that followed Perry continued to perform and achieve significant success with his 1983 Trojan collection Jamaican E.T. winning a Grammy Award for Best Reggae Album. A pioneer and true innovator, Perry was responsible for some of the greatest recordings in Jamaican music history and this album brings together such tracks, commencing with his breakthrough hit “People Funny Boy” right through to the title track of Jamaican E.T.
About Trojan Records
From its inception in 1968, Trojan Records changed the British musical and cultural landscape, bringing a new sound and ethos to the world. Introducing the music of Jamaica to the U.K. and wider audiences, it brought the likes of Lee “Scratch” Perry, Desmond Dekker, The Pioneers, Bob Marley, Prince Buster and Jimmy Cliff to a mainstream audience. Now part of the BMG family, the label celebrated its 50th anniversary in 2018.
